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Cialis, Eliquis, Jevtana, Xgeva. These drug names may sound silly, but the process of creating and testing them is anything but.

With more than 30,000 proprietary drugs in the United States alone, coming up with a unique brand name is no easy task. And while these names may seem like they were created by over-caffeinated Scrabble players, they are usually the result of intense focus by creative name development professionals coupled with clear-eyed research designed to enhance the prospects of Food and Drug Administration approval.

The stakes are high. With a new drug name, there is only one chance to make a first impression with patients, doctors, and people who may someday need the medication. So that name must work as hard as possible. Ideally, it should communicate some aspect of the marketing message. The message may be subtle or direct, suggest benefits or features, trigger a positive image, and more. Viagra, for example, sounds a bit like vigor and vitality, two relevant themes for erectile dysfunction. Effective names hold extraordinary potential.


Yet there are limits on the naming process. New drug names undergo a rigorous review by the FDA. Part of this review aims to ferret out new names that look or sound like existing drugs, a problem that contributes to thousands of medication errors each year.

Some companies with a new drug to name try to do it in-house with pizza-fueled brainstorming. While that can work, many companies turn to a consultancy like mine that specializes in brand name development.


The first step of the process is to write what’s called a creative brief. It serves two functions: to inform and inspire the copywriters, linguists, poets, verbal identity specialists, and others charged with creating a new name; and to serve as a guide in evaluating the creative output.

A common misconception is that creative people stare at the ceiling or free associate until an idea blooms in the brain. That’s usually not the case. Ideas, like fire, need fuel to ignite. Naming fuel includes thesauri and Google, of course, but also cowboy dictionaries, surfer dictionaries, encyclopedias of gems and minerals, Sanskrit rhyming dictionaries, and the big book of sports metaphors, to name just a few sources.

The goal of the naming team is to represent the drug — a complicated formulation that confers various primary and secondary benefits — with a single word that communicates a core aspect of those benefits. Take an inhaled asthma drug as an example. The creative teams may focus on the simple yet rich idea of air, and draw inspiration from any number of sources.

Working with the idea of air, a copywriter could spend hours poring over numerous aeronautical tomes including a dictionary of flight, “Jane’s All the World’s Aircraft,” a book of aviator slang, and the 1938 edition of “The Glossary of Meteorological Terms.”

Naming experts also turn to sound symbolism. Again, working with the idea of air, a linguist might develop names that rely on sounds made with the letters “b” and “p,” which are vocalized with bursts or puffs of air through the lips. Words like puff, poof, balloon, burst, blow, and breath are examples of sound symbolism in action.

Of course, not all elements of a branding message are purely rational. We once worked with a poet to add an emotional element to a new drug name. She wasn’t told anything about the product, what it could be used for, or any related cues. The only direction she received was to develop names that evoked the imagery of clouds, skies, and gentle breezes.

After a week or so of intensive individual ideation, it’s time for the contributors to compare notes. They share the names they came up with and the thinking behind them. Then they go their separate ways to create another round of names building on the ideas of the group.

These techniques can generate a thousand or more possible names, which must be winnowed to three to five finalists. While that process is rigorous (and sometimes contentious), names that move forward to the next step tend to deliver on descriptive, evocative, semantic, linguistic, emotional, and rational cues.

Then the fun ends and it’s time to choose a winner that will have a high chance of making it through the gauntlet of FDA guidelines — most of which limit the kind of communication messages that are part of any namer’s DNA.

The FDA’s Division of Medication Error Prevention and Analysis does the first review. In a process that can take up to six months, it subjects the name to an exhaustive battery of tests, and rejects about one-third of them.

Names are nixed for reasons too numerous to detail here. A few of the main ones are that the name is too close to the name of an existing drug in spelling, scripted appearance, or pronunciation. The division may also reject names that suggest the drug’s dosing, effectiveness, usage, or superiority.

Naming a new drug is a fun but challenging endeavor. Pharmaceutical companies operate in the crowded and noisy competitive landscape of human health with restricted communication goals and exacting rules imposed by a powerful and influential government agency. Combine that with a finite number of letters with which to work, and they face a considerable challenge when naming a new drug.

So the next time you see an ad for Adlyxin or Byvalson or Taltz, try to imagine the options that were considered and rejected before these names were approved.

Mike Pile is a creative director with Uppercase Branding, a verbal identity consultancy.

  • it’s NOT “creative science”. it’s totally ridiculous and laughable and makes us HATE the ad agencies even more than we already do. if we can narrow it down to who and what has destroyed cable tv and internet. it’s AD AGENCIES! they are the enemy of the american taxpayer.

  • Just what I thought – stupid, idiotic, cutesy names to try and get people to pester their doctor to get a prescription for it after seeing the commercials with the smiling faces, blue skies, green grass. . . **** these people.

  • You really should have a contest to name the next new pill. We used enjoy the new names but now they sound blah.

    I think assititist, abitllement or gronkamosis are good names. Now a couple of these would make great pill names and the other one would make a great physical ailment name.

    Seriously you need to shake it up with the names. They are not funny any more and if we need to listen to them being pushed all day then get creative with the names.

  • ‘Creation engineering’: The art and science of naming drugs
    By Susan Scutti, CNN
    Updated 4:19 AM ET, Fri November 25, 2016

    Each prescription drug has three names: chemical, generic and brand
    Pharmaceutical companies often farm out this highly specialized work to creative agencies
    (CNN)Yearly lists of the “most popular baby names” show how tastes change over time. While Jennifer, Heather, Michael and Jason may have been favorites in decades past, today’s top contenders include Emma, Olivia, Liam and Noah.

    The same applies to pharmaceutical drug names.
    “Aspirin,” for instance, was a name with legs in the early 20th century. Bayer branded its pain medication with this simple moniker in 1899 and sold it around the world for years. By the end of the century, though, drugs were named with a “blockbuster” edge and struck very different chords. The late 1990s was the era of Celebrex and Viagra as well as the now-infamous OxyContin.
    More recently, drugs have reached for even more exotic sounds. Within the past few years, the US Food and Drug Administration has approved Farydak for treating multiple myeloma, Avycaz for abdominal infections, Vraylar for schizophrenia, Idelvion for hemophilia, Luzu for athlete’s foot and Byvalson for high blood pressure.
    Saying these names aloud, some may hear a strange and lovely music, while others may imagine aliens arriving from distant planets. Similarly, naming a drug is a complicated process.
    The power of three
    A branded prescription drug is actually known by three names.
    The pharmaceutical company gives a new drug a chemical name based on a set of rules established by the International Union of Pure and Applied Chemistry.
    For any drug that will be marketed in the United States, the next step is obtaining a name from United States Adopted Name Council. It assigns the active ingredient of the drug a generic name, which must be cleared and reviewed by the International Nonproprietary Name program run by the World Health Organization.
    “This step assures that there is one non-proprietary (generic) name throughout the world for the drug,” explained Stephanie C. Shubat, director of the Adopted Name Council.
    With the generic name settled, a pharmaceutical company proposes a brand name to the FDA, to mark the product as its own.
    For example, an antidepressant is known in the lab by its chemical name: N-methyl-3-phenyl-3-[4-(trifluoromethyl) phenoxy]propan-1-amine. The generic name assigned to this complex chemical is fluoxetine. To the rest of us, the drug is commonly known as Prozac.
    “Prozac is what I call the Big Bang of pharmaceutical naming. It came out of nowhere, it means absolutely nothing, and it really just said, ‘Wow, OK, this is blockbuster naming in the drug world,’ ” said Scott Piergrossi, vice president of creative development at the Brand Institute, which names, tests, markets or otherwise works on about 75% of FDA-approved names each year and about two-thirds of the global names.
    David Wood, a pioneer in the field of branding and founder of Wood Worldwide, named Prozac in the early 1990s, before he sold his shop to InterbrandHealth.
    Today, Prozac even appears in the Oxford English Dictionary.
    According to R. John Fidelino, executive creative director at Interbrand, it was the first drug name that took both a condition and its treatment “out of the shadows.”
    Prioritizing safety
    Though each step of the naming process presents hurdles, approval for a brand name is the most difficult to clear.
    “The FDA’s Division of Medication Error Prevention and Analysis is responsible for proprietary name review prior to approval,” explained Lyndsay Meyer, a spokeswoman for the agency, noting that this division can “require the company to select another name, for safety reasons, as part of the approval process.”
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    Two departments within the FDA — the Center for Drug Evaluation and Research and the Center for Biologics Evaluation and Research — scrutinize each proposed name and then reject about 20% and 35% of the names, respectively.
    If reviewing names seems an unnecessary form of regulation, consider that the Institute of Medicine estimates that more than 1.5 million Americans are sickened, injured or killed each year by errors in prescribing, dispensing and taking medications. Meanwhile, a study published this year in the British Medical Journal found that 251,000 people die each year in the United States from medical error or medical care gone wrong, including drug name and dosage mixups.
    Medical error is the third leading cause of death in the US, after heart disease and cancer, say the study authors, making the goal of everyone in this industry to avoid what they call LASAs: lookalikes, sound-alikes.
    “Name safety is now the number one priority, and predicting name approvability is now the name of the game,” said Arlene Teck, creative director at Ixxéo Healthcare, a name engineering agency. “The FDA wants to protect any American, traveling anywhere, from any kind of harm that could come from confusing one drug with any other drug or even a local food supplement.”
    The possibility of drug name confusion keeps regulators up at night. Because they can nix any proposed name, the FDA, the European Medicines Agency and HealthCanada exert the strongest influence on drug names, according to Teck. In fact, she says, we are living in “the regulated age of drug naming.”
    And for those who believe that computerized prescriptions will reduce mistakes caused by illegible handwriting, a white paper (PDF) commissioned by the FDA found that lookalikes still cause mistakes when prescribers accidentally choose a similar drug name from a drop-down menu.
    Global influences
    The FDA has a whole host of reasons why it might require a different name than the one selected by a company.
    For instance, the use of certain word “stems” are officially protected by the International Nonproprietary Names program. Word stems are groups of letters, usually just two — “os,” for instance, or “aj” — that cannot appear within brand names, explains Teck, as it might cause confusion with a generic name.
    The FDA also rejects names that seem too fanciful or overstate a drug’s effectiveness and puts the kibosh on names that might stigmatize a patient (or condition).
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    “If you are wanting to do metaphors that are life-affirming, and you want to think of things like trees or flowers or something strong like metal, you cannot do that, because it might suggest an ingredient,” Teck noted.
    The global nature of the pharmaceutical industry presents additional challenges. A name may be approved by the FDA and then rejected by European or Canadian authorities.
    “To anticipate both the FDA and European Medicines Agency regulatory outcome, that’s really the number one mission of any team or any agency,” said Denis Ezingeard, Teck’s naming partner and CEO of Geneva-based Ixxéo.
    If you fail, says Ezingeard, “you’re down to square one.”
    Even once a product is commercially launched, the FDA retains the authority to request a name change. In fact, the agency may request a name change if doctors report confusion and medical errors even after a drug can be found on the shelf at your local pharmacy.
    Naming drugs, says Ezingeard, is all about avoiding regulatory pitfalls and has become “less and less” about creation. After all, recovery from rejection, which could take a long time when coordinating the process across different countries, is costly and difficult.
    Because of the many rules and regulations, pharmaceutical naming has become highly specialized work that is mostly farmed out to highly specialized creative agencies.
    The creative process
    Having developed strange and elaborate defenses to avert the disaster of rejection, namers resemble emus, those awkward birds that run instead of fly.
    Most agencies begin the process by playing the numbers game.
    For any assignment, the Ixxéo team creates between 2,000 and 5,000 names. “That makes pharmaceutical naming different from consumer branding, where the constraints are not as stringent and where you can turn a much lower wheel of names,” said Ezingeard, who refers to himself as “Dr. Destructo.”
    His job on the team is name elimination, because his primary concern is to “get out of the way” as many names as possible “that are by their nature” a possible liability. In the end, 10 are selected as “promising” from the original 2,000 or 3,000, and from there, the final selection of one name begins.
    The Brand Institute then typically submits two names at once to regulatory agencies, according to Piergrossi.
    “But there are layers of contingency names in place, especially with Big Pharma planning years in advance,” he said, adding, “we are well-versed in what’s required by the regulators.”
    Another way the Brand Institute’s subsidiary, the Drug Safety Institute, avoids rejection is by assessing name candidates using a methodology similar to those used by regulatory authorities.
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    For example, FDA examiners are known to look at handwritten samples of a drug name and listen as a variety of people (each with different accents) pronounce the name. They also check for illegal stems, similarity to the names of discontinued products, and common medical or coined abbreviations tucked within the name. Meanwhile, examiners analyze for possible promotional claims and references to active or inert ingredients within the sound of the proposed name.
    Ixxéo has developed its own “regulatory engineering model” that mirrors the “complex and evolving set of parameters” used by regulatory authorities.
    “It’s the very model the FDA could have built, but they didn’t do it,” Ezingeard said.
    Beyond the rules
    Like poets who write Elizabethan sonnets rather than free verse, pharmaceutical namers must make difficult decisions based on arcane rules, but their work is still a form of artistry.
    Teck says Ezingeard, an engineer and polymath, developed Ixxéo’s elaborate naming process when he was studying Darwinian evolution. “Creation engineering,” as Teck refers to the drug-naming process, is based on evolutionary science as well as art history and merges creation with the screening process.
    In practice, this means swapping names back and forth between Teck, Ezingeard and Ignasi Fontvila, a colleague in Barcelona. Together, they craft names blended from English, French, German, Spanish and Catalan linguistics and based on four distinct dimensions: visual distinctiveness, melodic contrast, verbal velocity — how it sounds when spoken within a sentence — and language neutrality, which is the ability to work across many different languages.
    Teck and Fontvila then develop a final list of name candidates and tweak each other’s to ensure a higher chance of approval.
    Teck is legendary in the industry for naming Viagra while at Wood Worldwide in 1992. To name Pfizer’s blockbuster, she ran a focus group with urologists who treated erectile dysfunction. At the conclusion of the session, Teck asked one of the doctors what it felt like for men when the condition went away.
    The doctor said, “Visualize a strong stream.”
    Melding the words “vigorous” and “Niagara,” Teck came up with “Viagra.”
    Now an entry in the Oxford English Dictionary, Viagra is an example of how a name can “fundamentally create, not just change, conversation,” Interbrand’s Fidelino said.
    “Prior to Viagra, impotence was a psychological disorder that went to the core of how men defined themselves,” he said. “By creating a brand that is named in a way that allows people to discuss it, and creating language or using language to describe the condition in a way that makes it easier for people to engage in conversation, you had more people seeking treatment and also improving sexual health and relationships around the world.”
    Later, Interbrand was tasked with creating a moniker for what’s now known as Cialis, a second-to-market impotence drug. But naming a drug that is not first to market is difficult because “the name of the game is being unprecedented … being the breakthrough,” Fidelino said.
    He explains that the goal was to find a sound that fit with Cialis’ improvements over its predecessor, the macho-sounding Viagra.
    Cialis’ treatment window is longer than that of Viagra — it works throughout the day — so if an opportunity arises, a man can spontaneously respond. This unique attribute and improvement over Viagra required “new messages and a new framing,” said Fidelino, who says naming drugs is about naming “the invisible, the intangible.”
    The resulting approach for Cialis was more about relationships and less about sex. “A different type of emotion is conveyed by Cialis,” rhapsodized Fidelino, noting that it’s a “tonally softer” name and more elegant.
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    Of the many names created by the Brand Institute, Piergrossi says he is proudest of Latisse, the eyelash growth drug from Allergan. This name was crafted by merging two words: “lash” and “Matisse,” the French painter and sculptor. Latisse is marketed directly to consumers, so the name must appeal to those who will use the product.
    Names intended for doctors are often a play on words or technologies familiar to them or suggestive of a drug’s mechanism of action. For instance, the hepatitis B and C drug Pegasys, explains Fidelino, is based on a pharmaceutical technology known as pegalation.
    “There’s no doubt that there’s virtue in the unusual,” said Fidelino, but still, it’s helpful “when there’s a real tie-back either to the attributes of the product, the technology of the product, the benefit of the product or the intended outcomes.”
    All the namers acknowledge that this is far easier said than done.
    In the current consumer climate — often hostile toward Pharma, according to Fidelino — it’s incumbent upon these companies to help people appreciate what they do.
    This can be achieved, Fidelino believes, by going beyond the tricks and instead creating brands and marketing campaigns with real depth: “I’m also a health care consumer,” he said. “I don’t want to see the public being duped by fancy, superficial promotions.”

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